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'You are not ignorant,' said he, throwing himself into a chair, 'of the tender sentiments which your sister Julia has inspired. I entreat you by that sacred friendship which has so long united us, to afford me an opportunity of pleading my passion. Her heart, which is so susceptible of other impressions, is, I fear, insensible to love. Procure me, however, the satisfaction of certainty upon a point where the tortures of suspence are surely the most intolerable.',

Madame de Menon, who loved Julia with maternal affection, was an interested observer of all that passed at the castle. The cruel fate to which the marquis destined his daughter she had severely lamented, yet she could hardly rejoice to find that this had been avoided by elopement. She trembled for the future safety of her pupil; and her tranquillity, which was thus first disturbed for the welfare of others, she was not soon suffered to recover.,

“Well, if you don’t want me to show you. But really, if my little finger were only big enough, I could lift the lamp just with that.”,

“Yes, very. We shook them into a basket. Those that were bruised, Aunt Grenertsen said we might have.”

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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

There was no time in which to gather his nerves together. He must act and act at once. So, pulling himself up with as little noise as possible, he peered over. No Miguel was in sight. But a hundred feet down the dam was a tiny thread of white smoke shining gray in the moonlight. With a despairing sob he leaped towards it as fast as his soaked clothes would let him.,

The Princess occupied herself during his absence with her music, for she had, in a few months, learnt to play well. One day, when she was in the Queen's room, the King rushed in, his face bathed in tears, and taking his daughter in his arms: "Alas, my child," he cried. "Alas! wretched father, unhappy King!" He could say no more, for his voice was stifled with sobs. The Queen and Princess, in great alarm, asked him what was the matter, and at last he was able to tell them that a giant of an enormous height, who gave himself out to be an ambassador from the Dragon of the lake, had just arrived; that in accordance with the promise, made by the King in return for the help he had received in fighting the monsters, the Dragon demanded him to give up the Princess, as he wished to make her into a pie for his dinner; the King added that he had bound himself by solemn oaths to give him what he asked, and in those days no one ever broke his word.,

“Thank you, sir,” the boy answered, “but I couldn’t sleep now. There’s too much excitement around!”